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2012 US Open Championship, The 8th Hole, Lake Course, The Olympic Club

2012 US Open Championship, The 8th Hole, Lake Course, The Olympic Club

8th Hole, Lake Course, 200 Yards, Par 3, The Olympic Club, San Francisco, California
Established in 1860, The Olympic Club is the oldest athletic club in the U.S. and is recognized as one of the first 100 golf clubs in the country. Designed by Willie Watson and Sam Whiting in 1924, the Lake Course was rebuilt by Whiting in 1927 after significant storm damage, and later modified by Robert Trent Jones and Bill Love. The club has hosted eight previous USGA championships, including four memorable U.S. Opens. The most recent was in 1998, when Lee Janzen overcame a seven-stroke deficit to Payne Stewart by birdieing four of the final 15 holes to claim his second U.S. Open victory. Previous U.S. Open winners include Scott Simpson in 1987, Billy Casper in 1966 (in a memorable comeback over Arnold Palmer), and unheralded Jack Fleck in 1955 (in a shocking playoff defeat of four-time champion Ben Hogan). Olympic was also the site of the 1958 U.S. Amateur, 1981 U.S. Amateur (won by Nathanial Crosby, son of the legendary entertainer Bing Crosby), 2004 U.S. Junior Amateur and 2007 U.S. Amateur.

2011 US Open Championship, The 10th Hole, Blue Course, Congressional Country Club

2011 US Open Championship, The 10th Hole, Blue Course, Congressional Country Club

10th Hole, Blue Course, 218 Yards, par 3, Congressional Country Club, Bethesda, Maryland
Congressional Country Club, in the suburbs of Washington, D.C., was envisioned on its founding in 1924 as an informal common ground where legislators and businessmen could meet without the constraints of bureaucracy. Congressional’s Blue Course, originally designed by Devereux Emmet, has been renovated over the years by notable architects Donald Ross, Robert Trent Jones and Rees Jones. The Blue Course has hosted two previous U.S. Open Championships, in 1964 (won by Ken Venturi) and in 1997 (won by Ernie Els), as well as the 1949 U.S. Junior Amateur, the 1959 Women's Amateur and the 1995 U.S. Senior Open.

2010 US Open Championship, The 9th Hole, Pebble Beach Golf Links

2010 US Open Championship, The 9th Hole, Pebble Beach Golf Links
The 9th Hole, 505 Yards, Par 4, Pebble Beach Golf Links, Pebble Beach, California
Designed by Jack Neville and Douglas Grant and opened in 1919, the course has been host to numerous prestigious events, including 10 previous USGA national championships. Most notably, Pebble Beach hosted four of the most memorable U.S. Open Championships: in 1972 (won by Jack Nicklaus), 1982 (Tom Watson), 1992 (Tom Kite) and 2000 (Tiger Woods). Golf fans from around the world will watch the 110th U.S. Open Championship unfold June 17 - 20, 2010.

2009 US Open Championship, The 17th Hole, Black Course, Bethpage State Park

2009 US Open Championship, The 17th Hole, Black Course, Bethpage State Park
The 17th Hole, 207 Yards, Par 3, Bethpage State Park - Black Course, Bethpage State Park - Black Course
The picturesque 17th Hole is a wonderfully designed par 3, slightly uphill with a sloping hour-glass shaped green. It is one of the four par-3 holes on the course all of which have deep, penal bunkers. With the green set at a diagonal, the hole requires and accurate iron shot and precise putting. It is not for the faint of heart. Tiger Woods withstood the challenge as the only player to finish under par at the 2002 championship, completing four rounds at 3-under-par 277 and winning his second U.S. Open title. In 2009, the Open returns to this dramatic course.

2008 US Open Championship, The 3rd Hole, South Course, Torrey Pines Golf Course

2008 US Open Championship, The 3rd Hole, South Course, Torrey Pines Golf Course
The 3rd Hole, 197 Yards, Par 3, Torrey Pines Golf Course (South), San Diego
Celebrated American golf landscape artist Linda Hartough masterfully depicts this breathtaking par-3 hole with dramatic canyons, the Pacific Ocean and the city of La Jolla in the distance. The panoramic sunset view from the elevated third tee marks Linda's 19th commemorative painting for the U.S. Open Championship series.

2007 US Open Championship, The 14th Hole, Oakmont Country Club

2007 US Open Championship, The 14th Hole, Oakmont Country Club
The 14th Hole, 358 Yards, Par 4, Oakmont Country Club, Oakmont, Pennsylvania
Renowned for her oil-on-canvas renderings, American golf landscape artist Linda Hartough presents a breathtaking panorama of the 14th hole, with the 9th, 11th and 18th holes and the clubhouse all in view. From deep in the fescue along the right side of the fairway, she meticulously captures the beauty and essence of this challenging course in the light of the early morning. This is the 18th painting in the U.S. Open series and is offered in a limited edition of 850 prints and 85 artist proofs each signed and numbered by the artist.

2006 US Open Championship, The 9th Hole, Winged Foot Golf Club

2006 US Open Championship, The 9th Hole, Winged Foot Golf Club
The 9th Hole 515 Yards, Par 4, Winged Foot Golf Club, West Course, Mamaroneck, New York
Renowned American golf landscape artist Linda Hartough presents a breathtaking view of Winged Foot's 9th hole for her 17th painting in the U.S. Open Series. From the tree-lines fairway with heavy rough on either side, Hartough meticulously portrays the difficult approach shot to the 9th green and captures the architectural design of the clubhouse.

2005 US Open Championship, The 16th and 17th Holes No 2, Pinehurst Resort and Country Club

2005 US Open Championship, The 16th and 17th Holes No 2, Pinehurst Resort and Country Club
The 16th Hole -489 Yards, Par 4 and 17th Hole - 187 yards, Par 3, Pinehurst Resort & Country Club, Pinehurst, North Carolina. History, legend and tradition converge when the U.S. Open Championship returns for a second time to Pinehurst No.2 in 2005. The first Open hosted by Pinehurst No.2 in 1999 was a championship many recall as one of the most memorable; few people will ever forget Payne Stewart's 15 foot putt on the 18th hole of the final round to win the Open. Linda Hartough paints an early morning panoramic view from behind the 16th green looking down the fairway and over to the 17th green.

2004 US Open Championship, The 9th Hole, Shinnecock Hills Golf Club

2004 US Open Championship, The 9th Hole, Shinnecock Hills Golf Club
The 9th Hole, 443 Yards, Par 4, Shinnecock Hills Golf Club, Southampton, NY
Linda Hartough captures the rolling terrain and timeless beauty of Shinnecock with its stately clubhouse in the background.

2003 US Open Championship, The 12th Hole, North Course Olympia Fields

2003 US Open Championship, The 12th Hole, North Course Olympia Fields
The 12th Hole, Olympia Fields Country Club-North Course, 458 Yards, Par 4
The North Course at Chicago's Olympia Fields Countrry Club opened for play in 1923. Its designer was Scotsman Willie Park Jr., a two time British Open Champion who became one of the most prolific and renowned golf course architects in history.

2002 US Open Championship, The 4th Hole, Black Course, Bethpage State Park

2002 US Open Championship, The 4th Hole, Black Course, Bethpage State Park
The 4th Hole, Black Course, Bethpage State Park, 528 Yards, Par 5
In 2002 golf history will be made, as the United States Golf Association has selected , for the first time, a publicly owned course as the venue for the U.S. Open. Bethpage Black - one of five outstanding courses in the Bethpage State Park Complex on New York's Long Island - was designed by the legendary golf Course architect A.W. Tillinghast and completed in 1936. It was, in fact, Tillinghast's very last design- a fitting capstone to his remarkable career and an excellent setting for the 102nd Open. In it's character and aesthetics, Bethpage Black embodies Tillinghast's design philosophy to perfection. "It seems to me," he wrote, "that he who plans any hole for golf should have two aims: first, to produce something which will provide a true test of the game, and then, [to] consider every conceivable way to make it as beautiful as possible." The beauty of Bethpage Black is considerable- but so is its challenge to imagination, strategy, and shotmaking abilities of the player. Acclaimed American golf landscape artist Linda Hartough captures the exacting splendor of Bethpage Black in her exquisite painting of the 4th Hole, a brilliantly bunkered, uphill par-5. For the first time in this Championship Series, Hartough has chosen to create an autumn scene, with a robust palette of russet and scarlet, green and gold.

2001 US Open Championship, The 12th Hole, Southern Hills Country Club

2001 US Open Championship, The 12th Hole, Southern Hills Country Club
The 12th Hole, 458 Yards, Par 5,Southern Hills Country Club, Tulsa Oklahoma
One of the most noted golf courses built in America during the Great Depression, Southern Hills in Tulsa, Oklahoma, is the venue for the 101st US Open. Designed in 1935 by Perry Maxwell, the central design philosophy tenet was to enhance nature, not to disturb it. At Southern Hills, Maxwell began with a beautiful piece of land and drew from it's rolling hills a golf course of truly remarkable caliber.The year 2001 marks Southern Hills Country Club's third time as host club for the US Open. The Open was also held at Southern Hills in 1958 and 1977.Renowned American golf landscape artist Linda Hartough has captured the beauty and challenge of the 12th hole at Southern Hillls, considered one of America's greatest par 4's by both Arnold Palmer and Ben Hogan. Her exquisite rendering is offered as a limited edition of 850 lithographs, each signed and numbered by the artist.

2000 US Open Championship, The 8th Hole, Pebble Beach Golf Links

2000 US Open Championship, The 8th Hole, Pebble Beach Golf Links
The 8th Hole, Pebble Beach Golf Links, Pebble Beach, CA
Legendary Pebble hosts the 100th US Open. Hartough captures the rocky bluff of the 8th like no other for this historical event.

1999 US Open Championship, The 5th Hole, No 2 Course, Pinehurst Resort and Country Club

1999 US Open Championship, The 5th Hole, No 2 Course, Pinehurst Resort and Country Club
The 5th Hole, No. 2, 482 Yards, Par 4, Pinehurst Resort & Country Club, North Carolina
The setting for the 1999 U.S. Open is steeped in golf lore and excellence. Designed by renowned golf course architect Donal Ross and played by such legends as Jones, Hogan and Snead, Pinehurst No. 2 is a magnificent golf layout. This year marks the first time the Open has been played at Pinehurst. Three other national championships have been hosted there: the 1994 Senior Open, the 1989 Women's Amateur and the 1962 Amateur. Linda Hartough, the famous American golf landscape artist, has captured the beauty and challenge of the classically designed and difficult 5th hole. The dramatic lighting enhances the sloped fairway and angled green, both rimmed with pines Ms. Hartough's meticulous rendering of this famous hole is offered as a limited edition of 850 lithographs, each signed and numbered by the artist.

1998 US Open Championship, The 18th Hole, Lake Course Olympic Club

1998 US Open Championship, The 18th Hole, Lake Course Olympic Club
The 18th Hole, Lake Course, 347 Yards, Par 4, The Olympic Club, San Francisco, California
Two of the most stunning finishes in the history of the U.S. Open occurred at The Olympic Club. The first was in 1955 when Jack Fleck, a little known club professional, tied Ben Hogan in the final round and then defeated him in a playoff. Another playoff decided the 1966 Open, as Billy Casper overcame Arnold Palmer. The 18th hole, at only 347 yards, is deceptively difficult. Its amphitheater-like setting just below the clubhouse makes it one of the finest viewing holes anywhere.

1997 US Open Championship, The 17th Hole, Blue Course, Congressional Country Club

1997 US Open Championship, The 17th Hole, Blue Course, Congressional Country Club
The 17th Hole, Blue Course, 480 Yards, Par 4, Congressional Country Club, Bethesda, Maryland
The design of this magnificent golf course, set on 343 rolling acres, has been guided by Donald Ross, Robert Trent Jones and, in 1990, Rees Jones when he redesigned Congressional. The 17th hole at Congressional is a long par 4 that slopes downhill to a peninsula green.

1996 US Open Championship, The 16th Hole, South Course, Oakland Hills

1996 US Open Championship, The 16th Hole, South Course, Oakland Hills
The 16th Hole, South Course, 403 Yards, Par 4, Oakland Hills Country Club, Bloomfield Hills, Michigan
Designed by Donald Ross and completed in 1918, Oakland Hills has served as the venue for the U.S. Open six times. It was in 1951 after Robert Trent Jones' remodeling, that Ben Hogan dubbed the course "the Monster." Jones revamped the 16th, pinching the fairway down to less than 30 yards in the landing area. The lake sitting just to the left of the green adds to both the treachery and the beauty of the site.

1995 US Open Championship, The 16th Hole, Shinnecock Hills Golf Club

1995 US Open Championship, The 16th Hole, Shinnecock Hills Golf Club
The 16th Hole, 544 Yards, Par 5, Shinnecock Hills Golf Club, Southamption, New York
One of the highlights of the USGA's Centennial was the return of the U.S. Open Championship to Shinnecock Hills Golf Club, one of the USGA's original five member clubs. The first U.S. Open played here was in 1896 and the second Open came nine decades later in 1986. Golf at Shinnecock Hills is reminiscent of a traditional Scottish links course. Shinnecocks picturesque 16th Hole features a look up the fairway with the stately clubhouse designed by Stanford White in the background. The small green, isolated by rough that is well bunkered, slopes the golfers' left to right.

1994 US Open Championship, The 18th Hole, Oakmont Country Club

1994 US Open Championship, The 18th Hole, Oakmont Country Club
The 18th Hole, 456 Yards, Par 4, Oakmont Country Club, Oakmont, Pennsylvania
Oakmont's famous 18th hole, designed by William and Henry Fownes, is one of the finest finishing holes in golf. Heavy, thick rough borders its fairway; a slick, subtle-breaking green makes even par a fine result. Oakmont has hosted seven U.S. Opens highlighting its legendary difficulty.

1993 US Open Championship, The 4th Hole, Lower Course, Baltusrol Golf Club

1993 US Open Championship, The 4th Hole, Lower Course, Baltusrol Golf Club
The 4th Hole, Lower Course, 194 Yards, Par 3, Baltusrol Golf Club, Springfield, New Jersey
The celebrated par 3 fourth hole at Baltusrol's Lower Course, designed by A. W. Tillinghast and remodeled by Robert Trent Jones in the mid 50's, is beautifully depicted in this painting. Seen in the distance to the right is the championship tee from which a full carry over water is required to reach the green. The fourth hole, ranked among America's best, leaves no bail-out area, even for golf's greatest players. On the horizon among the trees, are the 187th and the clubhouse.

1992 US Open Championship, The 18th Hole, Pebble Beach Golf Links

1992 US Open Championship, The 18th Hole, Pebble Beach Golf Links
1992 US Open Championship, 18th Hole, Pebble Beach Golf Links.
The spectacular view of the 18th green overlooking Carmel Bay, the majesty of the mountains and the drama of the sky evoke the emotional impact of one of the world's most outstanding golf holes.

1991 US Open Championship, The 16th Hole, Hazeltine National Golf Club

1991 US Open Championship, The 16th Hole, Hazeltine National Golf Club
The 16th Hole, 396 Yards, Par 4, Hazeltine National Golf Club, Chaska, Minnesota
Lovely to the eye, the 16th hole is among Hazeltine's most treacherous. The fairway is guarded by mounds and a creek on the left, while the green is nestled among towering trees and fronted by Hazeltine Lake. Designed by Robert Trent Jones and remodeled by his son, Rees Jones, Hazeltine National has hosted two U.S. Opens, 1970 and 1991.

1990 US Open Championship, The 13th Hole, No 3 Course, Medinah Country Club

1990 US Open Championship, The 13th Hole, No 3 Course, Medinah Country Club
The 13th Hole, No. 3 Course, 212 Yards, Par 3, Medinah Country Club, Medinah, Illinois
Medinah's exacting 13th Hole, picturesque as it may seem, has been the nemesis of amateur and professional alike. The steep green, buffered by water and sand, poses the kind of challenge for which the Open Championship is noted.
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Welcome to the Linda Hartough Studio

  • “I am the proud owner of several paintings by Linda Hartough, and each time I look at one I see something new. For all its realism, her work goes beyond being photographic. Her paintings always convey a strong sense of place, so that you feel, for example, the charm of St. Andrews or the majesty of Pebble Beach. A Linda Hartough painting makes me want to play.”

    -Jack Nicklaus
  • “Whenever you see a Linda Hartough golf course rendering, you have to resist the urge to grab a club and drop a ball. Linda has the unique ability to capture, in a single solitary perspective, the very essence of the course itself”

    -Robert Trent Jones, Sr.
  • “Linda is the golf world's premier laureate. There's a tranquility about her paintings that is absolutely beautiful. When you view them, the paintings have the effect of actually putting you there. They're beyond real.”

    -Bob Carney, Golf Digest
  • “I really enjoy painting golf landscape. It is some of the most beautiful and varied landscape in the world combined with a deep, historical sense of tradition that transcends time. The painting is a success when both elements emerge.”

    -Linda Hartough
  • “It's a challenge to make a great painting and still depict a golfer's favorite scene, but my goal is to make any work of art I create transcend the scene depicted. When you look at a golf hole, you have to see what players like about it - how a golfer plays it. Then you have to see it as a lanscape - as a work of fine art.”

    -Linda Hartough
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