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US Open Championship Courses

US Open Championship Courses
View the impressive and ongoing Hartough series. Features US Open images from 1990 through 2009. Over 20 years of US Open championship courses. US Open Championship PrintsIn 1989, Linda Hartough was commissioned by the United States Golf Association to begin a series of paintings of the U.S. Open Championship courses beginning with the 1990 U.S. Open at Medinah Country Club and continuing each year. The collection so far includes 13th Medinah, 16th Hazeltine, 18th Pebble Beach, 4th Baltusrol, 18th Oakmont, 16th Shinnecock Hills, 16th Oakland Hills, 17th Congressional, 18th Olympic, 5th No. 2 Pinehurst, 8th Pebble Beach, 12th Southern Hills, 4th Bethpage,12th Olympia Fields, 9th Shinnecock,16th & 17th Pinehurst No. 2 and 9th Winged Foot.

Courses of Scotland and British Open Championship

Courses of Scotland and British Open Championship
View the courses from the British Open rotation captured by Hartough from 1990 through 1999.
The Open Golf Championship Courses of Great Britain were commissioned by the Championship Committee of the Royal and Ancient Golf Club of St. Andrews. Beginning in 1990, Hartough painted one painting per year of the traditionally played courses in the Open Championship. The official series of limited edition prints includes the full rotation of all eight courses including St. Andrews, Royal Birkdale, Muirfield, Royal St. George, Turnberry, Royal Lytham and St. Annes, Royal Troon and Carnoustie.

Augusta National

Augusta National
In 1984, Hartough was commissioned to do a painting of the 13th Hole at Augusta National. The painting turned out so well that she was commissioned to paint two more. Holes 16 and 18, thus beginning her career as a golf landscape artist. Her prints continue to sell out at the Masters and her personal goal is to paint every hole at the Augusta National.


Pebble Beach St. Andrews Augusta National Harbour Town Royal County Down

Welcome to the Linda Hartough Studio

  • “I am the proud owner of several paintings by Linda Hartough, and each time I look at one I see something new. For all its realism, her work goes beyond being photographic. Her paintings always convey a strong sense of place, so that you feel, for example, the charm of St. Andrews or the majesty of Pebble Beach. A Linda Hartough painting makes me want to play.”

    -Jack Nicklaus
  • “Whenever you see a Linda Hartough golf course rendering, you have to resist the urge to grab a club and drop a ball. Linda has the unique ability to capture, in a single solitary perspective, the very essence of the course itself”

    -Robert Trent Jones, Sr.
  • “Linda is the golf world's premier laureate. There's a tranquility about her paintings that is absolutely beautiful. When you view them, the paintings have the effect of actually putting you there. They're beyond real.”

    -Bob Carney, Golf Digest
  • “I really enjoy painting golf landscape. It is some of the most beautiful and varied landscape in the world combined with a deep, historical sense of tradition that transcends time. The painting is a success when both elements emerge.”

    -Linda Hartough
  • “It's a challenge to make a great painting and still depict a golfer's favorite scene, but my goal is to make any work of art I create transcend the scene depicted. When you look at a golf hole, you have to see what players like about it - how a golfer plays it. Then you have to see it as a lanscape - as a work of fine art.”

    -Linda Hartough
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